1. Today I was running errands, which somehow included going to a bookstore for American Gods. (Any relationship between my desire to own this book and my recent ridiculous fandom infatuation with a warped Marvel version of a particular mythology is purely coincidental.) I also skulked about the YA section, as one does, and stumbled across a paperback reissue of Tamora Pierce's Song of the Lioness books. Let me tell you, internet, the covers were amazing; they were so Hip YA Paranormal Romance that I wanted to cry tears of joyous laughter. The Woman Who Rides Like A Man had, far and away, the best cover -- google images provides a rather small and grainy picture of it here -- but let me describe it to you:

Alanna is slender, sexy, pleasantly androgynous, and is wearing a cute shirt from Forever 21 or something. On each side she is flanked by a strapping young man, presumably Jon and George respectively. George has folded arms and what may or may not be a leather jacket, because he's the tough guy from the streets! Jon is a sensitive guy with a semi-open shirt, and bewilderingly, looks exactly like I picture him! The point is, guys, I am so glad I don't have these covers, and I also love them a whole lot.

2. I kind of posted on tumblr about this, but I also wanted to say it here, so. There is this lovely quote by McAvoy re: Erik/Charles:
"It is a little bit of a mini-tragedy that him and Magneto don’t, you know, have sex and become married and become best friends." [via Daily Telegraph]
So the thing about this is that I am totally delighted that McAvoy went there, and knew what he was playing. I'm delighted about that the same way I love that Sir Ian McKellen said something about how X3 should have started with a panning shot of Xavier and Magneto in bed together. It is, in every conceivable way, totally amazing and lovely that the actors playing these parts know to queer the hell out of their subtext.

But you know what? I'd really like it to be text. I'd like it if we could move past Bobby's unsubtle coming-out-to-his-family scene, and past Hank's "You didn't ask, so I didn't tell," and realize that X-Men really is a great place to damn well start textually queering our superheroes. Making Charles/Erik canon would come with its own fun set of problems, like the fact that Erik is ~evil~, but I don’t care because it would be such a great start.

(Still: BECOME MARRIED. That is a really charming quote.)

3. My Loki AU That Will Not End has just broken 20,000 words. I have given up estimating how long it's going to be. In fact, I have given up on the notion of free will entirely, because I am fairly sure I am just here as a vessel to Loki's storytelling whims. I regret nothiiiiing.
A few weeks ago I got the first two Beka Cooper books from the library, and, to my surprise, read them all in a go. (Or most of them; I had to return Bloodhound when I was only halfway through, so please no spoilers.) I say 'to my surprise' because somewhere in the Trickster books I reached the conclusion that I like Tamora Pierce books best when they have fabulous camp villains and lots of swashbuckling, and that her older stuff ran on nostalgia value but I'd just outgrown her. Beka Cooper told me it wasn't so; I love those books, and they filled me with the deep enthusiastic desire to go reread Alanna.

I'm at the beginning of In the Hand of the Goddess again now, and ... wow, right after reading the Beka books, it's weird. I keep imagining all the brilliant worldbuilding things that could happen! All the brilliant gender commentary! All the ... yeah, man, I still don't know what to do about the Bazhir. Possibly open diplomatic dialogue instead of making Jonathan the Voice?

The point is, though, that I keep imagining a much longer, in-depth, and progressive set of Alanna books. There would be a lot more history, especially in regards to the Old Ones and the Black City; I'd love to see those match up with the developed mythology of the later books. There would be a bit more time to get to know Raoul and Alex and Gary and Jon and Miles and George, though, bless them, I love them all even though they're mostly sketches compared to her later character work. There would just be more time for everything, the psychology of Roger and the war with Tusaine and foreign relations and the Roof of the World and everything with Thom and and and.

Really what I want, though, is the narrative of a girl who lives as a boy for eight years. And yes, there's a bit of that, but -- oof. I actually keep wincing a little. Alanna keeps being convinced that she has to prove herself five times over to be as good as the weakest boy, and utterly loathes it when she hits various milestones of female puberty, and scowls a lot when people tell her gently that she can't change what the gods gave her. On the other hand, she ends up growing very comfortably into herself, so I'd say she's maybe a bit genderqueer but not, at the end of the day, in the wrong body. What I really want is for her to identify however the fuck she wants, and while I'm at it, let's examine how Jonathan is mostly into her when she dresses like a girl and he remembers that she's a hot lady, while meanwhile George kisses Alan on street corners and Liam flips out no matter what. Oh, and let's talk about how Alanna's entire close social circle for eight years was a group of excellent guys who definitely talked about the ladies they were into while she is around; damn but it would be excellent if Alanna was bi. I am sure there are plenty of court ladies who are not silly or scheming! That would be amazing and add so many tasty layers to her ridiculous on-and-off thing with Jon. And of course she can end up with George anyway, pay attention, George makes out with Alan on street corners.

Fff. I need to shut up that awful little voice in the back of my head that keeps saying so write it yourself.
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